OUR LATEST PROJECTS

For Valorant Challengers DACH Evolution early 2023 we were asked again to provide the Berlin based studio production by Freaks4U with our Instant Replays using vMix.

During the first iteration for Pro League Conference 2023 we were asked to provide the main broadcast production for the whole week of Counterstrike action. We got to produce the show marking the first time for us using ROSS XPression in a major broadcast for ESL and observe it aswell.

In early 2023 we got the opportunity to provide various productions for ESL incuding the EU & SA qualifiers for IEM Brazil 2023, IEM Dallas and IEM Melbourne 2023. we got asked producing the show using XPression and do the observing.

For this years Worlds First Raid we closely cooperated with MogTalk and provided coverage of the week long event 24 hours a day. The broadcast made use of our whole production studio and we custom-created stream overlays and game-linke graphics and a live leaderboard using ROSS XPression.

Togehter with content creator SALZWERK we hosted a 1v1 FORTS tournament using multiple observers and first and foremost ROSS Xpression to create a custom ingame HUD and realtime animated like bracket, mapveto and commander picks for BONJWA and SALZWERK.

For the 50th iteration for Germanys biggest CS:GO league, we were put in charge of cleanfeed production including cinematic observing, professional instant replays and managing the HUD; most of the time providing more than one stream at a time. This year we also get to use our very own Live-Playercam solution for the first time.

Originally planned to be hold during Dreamhack Hannover, the Valorant DACH Challenger finals had been organized to take place at TakeTv bar in Krefeld. We were put in charge of observing and were utilizing a dedicated POV and freecam observer. Luckily the EVS operator was also provided by us and helped archive a smooth viewing experience.

June of 2023 marked the end of the 50th anniversary season of ESL Meisterschaft. Since we were in charge of the ingame production and playercams during the 50th season, we were asked to work the Krefeld offline finals too. We made use of a two person observing setup (cinematic + delay observer) and a dedicated EVS replay operator also provided by us.

In anticipation for the upcoming VCT EMEA in Berlin, we got to produce a tournament with german speaking Valorant content creators. signed off by RIOT, we provided 2 ingame observers, instant replays and animated broadcast graphics using ROSS Xpression.

For our first EVS opportunity in 2023, we got asked to handle the player reactions fot the 2023 Berlin DOTA 2 Major. Since DOTA isn’t the most fast paste game, it was more difficult then expected. Yet it was a great EVS learning experience and an awesome crew to work with.

During the LEC Summer Split 2023 we worked together with Freaks4U and Riot Games to provide operations on the World Feed, which all the regional broadcasters receive and produce their shows off of. Responsibilities included communication with regional partners, playing out highlights together with the EVS operator and directing the World Feed when the main feed was on the analyst desk.

For the Blast Major Paris we were fortunate to work as EVS Operators handling the ingame replays together with the worlds best colleagues. It was a really great experience working for a world class esport production onsite in Paris and we hope to get more opportunities like this in the future.

The VCT Ascension tournament held in Berlin in July this year, featured 10 international teams from five different Valorant regional leagues competing for ascending into the VCT for next season. We worked together with Freaks4u and provided the German broadcast with our expertise in live replays, replays for analysis and end-of-day highlights.

For the FFXIV Patch 6.4 we closely cooperated with MogTalk again and provided coverage of there 3 day long event 24 hours a day. The broadcast made use of our whole production studio: We custom-created stream overlays, game-like graphics, a live leaderboard using ROSS XPression and we provided instant replays of highlight moments.

Telekom Magenta and SK Gaming combined forces and decided to produce a 4-day stream to host the MAGENTA eThrophy in Diablo 4s first season. We got to set up the show in close cooperation with the SK Gaming staff at the Magenta facilities and helped producing the show as professional vMix and camera operators.

Together with LVL Global Berlin and GG.Bet we got to produce a showmatch between the 2 newly assembled teams of NAVI and Vitality. The showmatch featured mixed lineup combinations and fans got to see S1mple and ZywOo play in the same team. We provided the event with our expertise in observing by working as cinematic and delay observer and got to create the HUD in close cooperation with GG.Bet.

For the biggest gaming and esport fare in europe, the GAMESCOM, we got to work with SK Gaming at their and Telekoms booth producing the LED walls and vMix for a wide variety of shows and the crowd in cologne.

In close coorperation with Blast, we got the opportunity remote-producing the english broadcast. For the second time in 2023, we got to help out BLAST with their qualifier production: This time we were producing BLAST NA, BLAST West EU, BLAST East EU and BLAST Iberian qualifiers at the same time.

For the 2nd iteration of the company esport cup by metagame, we were in charge of observing Valorant and Counter-Strike for the qualifiers online and at the LVL Berlin Dome for the finals. It also was our last ever CS:GO deployment making use of our multiple observer setup and our facecam integration technology.

The National Champions Qualifier for ProLeague season 18 featured a double-elimination bracket of 10 regional and national champions competing for one spot at ProLeague season 18 on Malta. We got to produce and observe the main-stream for the whole event including the final match between Eternal Fire and ORKS.

For Valorant Challengers DACH League Offseason Event in late 2023 we were once again asked to provide the Berlin based studio production by Freaks4U with our Instant Replays using vMix. The format featured a knockout system, allowing teams to choose their next opponents.

In December, we once again hosted Forts tournaments with German content creators SALZWERK and BONJWA. Using Xpression, we crafted graphics, animations, and the HUD. Occasional EVS replays were seamlessly integrated for playout and end-of-day highlights, resulting in a smooth and visually engaging experience for participants and viewers.

The 2nd iteration of the Dreamhack festival in Hannover marked our last offline production we got to observe in front of a big live-crowd for the ESL Meisterschaft finals in Hannover. During Dreamhack we worked with our newly refined 3-Observer setup, ensuring the highest possible ingame production for the last ever ESL Meisterschaft!

The DE CS Rewind featured a concise summary and overview of key events, highlights, and significant moments that occurred throughout 2023 in the German Counter-Strike landscape. the event included a small CS2 tournament and a lot of hot sauce action for charity as it also was a charity event!

For the first iteration after the merger of Germanys two biggest CS:GO leagues, the ESL Meisterschaft by 99Damage Spring 2022, we provided the Ingame Overlay (HUD) and the occasional Cleanfeed.

For VCT Masters, VRL EMEA Finals, VRL Finals and many more Valorant-based productions, we were working on the official German broadcast as part of the Freaks4u studio production crew, with us responsable for either vision mixing, stream directing, producing and replay production in various changing environments and constellations.

The ANATY Invitational marked our own first hosted CS:GO tournament. Six of the best German CS:GO teams were invited and could compare their new lineups for the first time in 2022.

Thanks to our new HUD, Augmented Reality features, live playercams and a production team of three observers, we wereable to present this tournament with international first-class quality.

In summer of 2022 we were involved in producing and observing for the Intel Extreme Masters XV - Melbourne Closed Qualifiers. As our first time for ESL, we were handleing two streams simultaniously.

In close coorperation with Blast, we got the opportunity remote-producing the english broadcast for the Pelaajat Nordic Masters 2022 on the BLAST Premier main twitch channel.

A CS:GO based Gameshow featuring the 2022 BIG Clan Lineup on a map created by de_tuscan mapper catfood. The players compete in a series of six minigames each requiring a unique set of skills in and outside of the game. We produced and recorded the show with 4 ingame observers + handled all the playercams and playersound to give the Skinbaron crew a lot of editing opportunities.

The leading replay system used in traditional sports like Formula 1 and Bundesliga is getting more and more common in esports. 

During a 3-day course at EVS headquarter in Belgium in August of 2022 we learned operating it and are now ready to work your broadcast as EVS Operator!

On multiple occasions, we worked for ESL to provide production and observing for various qualifier events like ESL Challenger Rotterdam or IEM Melbourne.

For the second time in 2022, we got to help out BLAST with their qualifier production: This time we were producing BLAST NA, BLAST Nordics and BLAST Oceania qualifiers at the same time.

For the first and highly produced offseason split of RIOT Valorant DACH Evolution League Unity, we got asked to produce and provide the broadcast with our Instant-Replay experience as part of the Freaks4u studio production crew utalizing the vMix Replay feature.

The RCadia x Epic Dudes ALIVE Lan in October was a multiple day spanning community LAN experience including a well organized CS:GO tournament. We got the opportunity to not only act as observers and ingame production, we got to present our Playercam/ Facecam solution for/to an offline crowd/event.

During various VCT Masters Productions in Berlin and Istanbul, we provided the German stream with additional replays and our producing expertise.

During various VCT Masters Productions in Berlin and Istanbul, we provided the German stream with additional replays and our producing expertise.

For Germanys biggest CS:GO league - the ESL Meisterschaft - We were in charge of Cleanfeed Production including cinematic observing, simple replays and managing the HUD, which on many occasions required more than one simultaneous stream.

Dreamhack Hannover marked our first offline production we got to observe in front of a big live-crowd for the ESL Meisterschaft Autum finals in Hannover. During Dreamhack we worked with our newly refined 2-Observer setup.

In 2021 we got to produce ESL and ESEAs biggest league: ESEA Premier Season 37, working together with various international casters. For Season 38 we were also assigned observing duties.

Thanks to our cooperation with the ESL, we were producing and observing on various occasions for the NA, OCE and European broadcast during season 46 and 47 of the Dreamhack Open circuit.

Continuing our cooperation with the ESL, we were involved in the first broadcasts of their new tournament series ESL Challenger and provided them with production and observing for the Challenger Event Anaheim 2022.

Apart from CS:GO productions, we were involved in producing several shows for the FIFA Virtual Bundesliga on their finals day including their cross-platform final.

One of our earlier projects for ESL was producing and observing the final Best-Of-3, deciding which team of the Oceanian region gets to play in the next season of ESL Pro League.

Counter-Strikes biggest European Community League got an upgrade for their 1st and 2nd-Divison Broadcast by using an uniquely crafted graphical HUD by ANATY Productions. We occasionally provided the cleanfeed production for some Divison 1 games as well.

For the first and highly produced iteration of RIOT Valorant DACH Evolution League, we got asked to provide the broadcast with our Instant-Replay experience as part of the Freaks4U studio production crew.

The IEM 2021 Fall Event featured nearly all international top teams and concluded in a 3-way tiebreaker situation. We were involved producing and observing all of the tiebreaker matches for the North American broadcast. 

During the EU IEM 2021 Fall Event we also had the pleasure to observe the European tiebreak matches between Mouz, BIG and FPX for the european broadcast.

At UPS 2021 we were in charge of the whole ingame production including the HUD development and its unique management-software. Working inside the production studio and from our remote home office setups (caused by the Covid-19 pandemic) during the season, we had the great pleasure to be part of the offline finals, for which we also prepared and administrated the local game server.

In Summer 2020 we were glad to provide the German Cast for this CS:GO charity event regarding the political situation in Belarus. In close communication with the production of Fantasy Expo we managed to produce and cast the 11 hour stream.

Since season XXIV we had the pleasure to be part of this community building tournament of the ESL. With teams and players from Germany, Austria and Switzerland we were not only producing and casting the matches during the seasons, but also providing the HUD and the overall livestream-production for the playoffs.

Within the first season of UNITED Pro Series 2020 in Hamburg, we provided the whole ingame production on set: HUD creation, observing, replay observing and replay handling, up until integrating facecams into the studio system and the HUD.

At this frequently played online event by BIG OMEN Academy with more than 64 teams of the german CS:GO community paticipating, we were repeatedly producing the cleanfeed for the main cast.

Counter-Strikes biggest European Community League got an upgrade for their 1st and 2nd-Divison Broadcast by using an uniquely crafted graphical HUD by ANATY Productions. We occasionally provided the cleanfeed production for some Divison 1 games as well.